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Johannes Vermeer, The Geographer 1668-69 oil on canvas; 53×47 cm. Steadelsches Kunstinstitut, Frankfurt, Germany. The Geographer used the same model and other elements as The Astronomer . Portrayals of scientists were a favourite topic in 17th-century Dutch painting [ 1 ] and Vermeer's oeuvre includes both this astronomer and the slightly ...
Van Ruijven was a native of Delft and only eight years Vermeer's senior. He may have been introduced to Vermeer by his brother, Jan van Ruijven, the notary who documented Vermeer's marriage to Catharina Bolnes. [19] It is known for certain, however, that in 1657 van Ruijven lent Vermeer 200 guilders. He left 500 guilders in his will for Vermeer ...
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
Salvador Dalí refers to The Art of Painting in his own surrealistic painting The Ghost of Vermeer of Delft Which Can Be Used as a Table (1934). In Dalí's painting the image of Vermeer from The Art of Painting, although not true to the representation regarding Vermeer's clothes, is viewed from behind, re-created as a strange kind of table.
Woman Reading a Letter (Dutch: Brieflezende vrouw) [1] [2] is a painting by the Dutch Golden Age painter Johannes Vermeer, produced in around 1663.It has been part of the collection of the City of Amsterdam since the Van der Hoop bequest in 1854, and in the Rijksmuseum in Amsterdam since it opened in 1885, the first Vermeer it acquired.
The Music Lesson, Woman Seated at a Virginal or A Lady at the Virginals with a Gentleman by Johannes Vermeer is a painting of a young female pupil playing a virginal during a music lesson with a male teacher. The man's mouth is slightly agape giving the impression that he is singing along with the music that the young girl is playing.
The work suggests that Vermeer was aware that light is composed of colours, and the effect of colours on one another. For instance, the blue drape is reflected as dark blue on the side of the metallic pitcher, and the red fabric modifies the gold hue of the basin's underside.
On the left side of the painting is a multi-paned window, from which the light source is provided for the scene. Vermeer used the same window design in nine of his other works (The Music Lesson, The Girl with the Wine Glass, The Glass of Wine, Officer and Laughing Girl, Lady Writing a Letter with her Maid, Woman with a Water Jug, Woman with a Lute, Woman Holding a Balance, and Woman with a ...
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