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Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.. The Lindisfarne Gospels (London, British Library Cotton MS Nero D.IV) is an illuminated manuscript gospel book probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London. [1]
The interlace is the best-known motif of Insular art. This decoration, however, is not limited to Celtic art of Insular illumination. It is also seen in some Egyptian papyrus, Byzantine and Italian works and some Anglo-Saxon works of art, like those found in the tomb at Sutton Hoo.
Only a small group of Byzantine manuscripts are dated to this period, with most of them mixing Latin and Byzantine elements. One of them, a bilingual Latin-Greek gospel book, is still kept at the National Library of France; the Greek-Latin tetra-gospel (Gr.54), which was probably intended for a high Latin dignitary, religious or layman. It was ...
Similar pages are found in the Ottonian Codex Aureus of Echternach. [16] In a similar way carpet pages may have been regarded as a form of interior cover. [17] The main decorated pages are: [18] f5r and 12r: Two pages imitating textiles, with different patterns (real Eastern silks of the 9th and 10th centuries are used as the end-papers)
Gospel of Thomas – also known as the Coptic Gospel of Thomas, and is a gospel [6] of non-canonical sayings; Gospel of Basilides – composed in Egypt around 120-140 AD, thought to be a Gnostic gospel harmony of the canonical gospels [6]
The making of the Ebbo Gospels was during the Carolingian Renaissance, when Charlemagne was crowned the Holy Roman emperor by the Pope in the year 800. [4] Charlemagne had the goal of incorporating more Christian and Roman ideology within Europe as he was inspired by Constantine, who ruled c. 306-33, and made it more acceptable to practice Christianity.
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Luke is the third gospel, so a panel preceding the Gospel of John might well have completed the Passion and Resurrection story, and two others covered the earlier life of Christ. The scenes around Luke's portrait notably avoid the major episodes in Christ's life such as his Nativity , Baptism and Temptation , probably reserving these scenes for ...