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Starting on any degree of the mode gives the same sequence of intervals, and therefore the whole tone scale has only 1 mode. Messiaen's mode 2, or the diminished scale, consists of semitone, tone, semitone, tone, semitone, tone, semitone, tone, which can only be arranged 2 ways, starting with either a tone or a semitone. Therefore, mode 2 has ...
Half diminished scale on C. Play ... whole tone: diminished — Lydian diminished scale: Lydian diminished on C. 1 2 ...
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [ 1 ] or the Aeolian ♭ 5 scale , names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).
The main chord qualities are major, minor, augmented, diminished, half-diminished, and dominant. The symbols used for chord quality are similar to those used for interval quality (see above). In addition, + or aug is used for augmented, ° or dim for diminished, ø for half diminished, and dom for dominant (the symbol − alone is not used for ...
This pattern of whole and half steps characterizes the natural minor scales. The intervals between the notes of a natural minor scale follow the sequence below: whole, half, whole, whole, half, whole, whole. where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line in the ...
Both the half-whole diminished and its partner mode, the whole-half diminished (with a tone rather than a semitone beginning the pattern) are commonly used in jazz ...
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
The altered scale is made by the sequence: Half, Whole, Half, Whole, Whole, Whole, Whole. The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names.