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Font embedding is a controversial practice because it allows copyrighted fonts to be freely distributed. The controversy can be mitigated by only embedding the characters required to view the document (subsetting). This reduces file size but prohibits adding previously unused characters to the document.
The "design space" of the variable font Recursive Sans & Mono, [1] illustrated as the nets of two cubes. A variable font (VF) is a font file that is able to store a continuous range of design variants. An entire typeface (font family) can be stored in such a file, with an infinite number of fonts available to be sampled. [2]
move to sidebar hide From Wikipedia, the free encyclopedia This list of monospaced typefaces details standard monospaced fonts used in classical typesetting and printing .
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
font substitutions defined in application software's (e.g. text processor) font configuration for concrete font names. When font substitution is being used to find a replacement for an unavailable character, it can lead to inconsistent visual appearance as part of a word or sentence is displayed in one font and another part is displayed in the ...
The Type 1 to METATYPE1 to Type 1 round-trip conversion process involved in the production of the Latin Modern fonts tried to preserve the hinting information of the BlueSky fonts; however, it introduced rounding errors that affect the quality of the hinting at low pixel sizes. As a result, on-screen display of the Latin Modern fonts can result ...
Andalé Mono (for technical reasons also Andale Mono) is a monospaced sans-serif typeface designed by Steve Matteson for terminal emulation and software development environments, originally for the Taligent project by Apple Inc. and IBM. [1]
Arno has received positive reviews. Reviewing the font for Typographica, designer Mark Simonson described it as "nicely sturdy" for body text and highlighted the sophistication of its italic alternate programming, noting that when enabled Arno "almost becomes a different typeface". [6] Font expert Stephen Coles compared it to Requiem. [7]