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Disgusting is the debut studio album by American rock band Beartooth. It was released on June 10, 2014, through Red Bull Records and UNFD Records . The single "Beaten In Lips" was released on May 13, 2014, along with the pre-order for the album.
They have released five studio albums, three extended plays, twenty-four singles and twenty-two music videos. Their debut studio album, Disgusting, was released on June 10, 2014. The album contains the single, "In Between", which was certified platinum by the RIAA. Their second studio album, Aggressive, was released on June
Beartooth has been signed to Red Bull Records since 2013; its debut EP Sick was released on July 26, 2013, followed by the debut full-length album Disgusting on June 10, 2014. Since then, Shomo has released a further three studio albums under the Beartooth moniker: Aggressive (2016), Disease (2018), and Below (2021).
On May 13, 2014, the band's Facebook page announced the release date for their debut album, Disgusting, as June 10, 2014, along with its track listing. [18] The band released their first single of the album the same day, titled 'Beaten in Lips', along with its music video. [19] The album was available to stream online a day before its release. [20]
Gigwise placed the album at number one on its 20 Worst Albums of 2009 list. [46] Lulu, Lou Reed and Metallica (2011) Pitchfork Media's Stuart Berman awarded the album a score of 1.0/10 and wrote that Lulu disappoints even in its "worst of all time" status; "for all the hilarity that ought to ensue here, Lulu is a frustratingly noble failure."
Every Sick, Disgusting Thought We've Got in Our Brain is the second full-length album by American rock band The Venetia Fair. It is their first independent release after departing from their previous record label Red Blue Records. It was recorded at The Square Studio in Syracuse, New York with producer Steve Sopchak and was released on March 1 ...
The album's original artwork depicted an image of a man's body exploding as the xenomorph from the Alien franchise holding a Stratocaster guitar emerges from his chest. The album was reportedly banned for being "too grotesque", [32] and on the 1995 reissue, the artwork was replaced by a blurry black-and-white picture of a man. It was later ...
The Mercury News wrote that the album's sound "suggests Nine Inch Nails backing They Might Be Giants at Les Claypool’s house." [ 5 ] Las Vegas Weekly wrote that "this zouk-inspired sophomore CD pulses more thickly and confidently than his debut Songs in the Key of Beotch without losing any of the nonchalant innovation."