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A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
120 Paintings from the Rijksmuseum is a selection of paintings that were included in a booklet of illustrations in the Rijksmuseum Amsterdam giftshop for visitors during the years 1950–1990. It was meant as an illustrated companion guide to the catalog of the paintings on show , which included information about the +/-1,200 paintings on show.
S. Syndics of the Drapers' Guild; Seated Girl in Peasant Costume; Self-Portrait (Bol) Self-Portrait as the Apostle Paul; Self-Portrait with Dishevelled Hair
Zelfportret van Rembrandt (Wallace Collection) 1637: Oil on panel: 64 x 49: Wallace Collection, London Self-Portrait at the Age of 34: 1640: Oil on canvas: 93 x 80: National Gallery, London The Night Watch: 1642: Oil on canvas: 363 x 438: Rijksmuseum Amsterdam: Self-portrait wearing a Hat and two Chains: c. 1640: Oil on panel: 72.2 x 58.3 ...
Rembrandt statue and the sculptures of The Night Watch in 3D at the Rembrandtplein in Amsterdam Rembrandt statue in Leiden Rembrandt and Saskia. Rembrandt Harmenszoon van Rijn (1606–1669) is one of the most famous, [1] [2] controversial, and one of the best expertly researched (visual) artists in history.
This was the first evaluation in the painting’s 400-year history that combined X-rays with spectroscopy of a paint sample and 3D digital reconstructions, and it revealed a lead-rich layer that ...
National Gallery, London Portrait of a Young Woman in a Fantasy Costume: c. 1654: Oil on canvas: 72 x 60: Musée du Louvre, Paris Half length figure of a woman in fanciful costume: c. 1653: Oil paint: private collection Portrait of Rembrandt painting Hendrickje as his Model: c. 1800–1850: Oil paint: Kelvingrove Art Gallery and Museum, Glasgow
Courtauld Gallery, London: The drawing is related to the painting W110 : The Last Supper, after Leonardo da Vinci: 1634–1635: Red chalk: 36.2 x 47.5 cm: Metropolitan Museum of Art, New York: Inscribed Rembrandt f. Two Butchers at Work: 1635: Pen and bistre: 14.9 x 20 cm: Städel, Frankfurt am Main: Inscribed t vel daer aen ende voorts de rest ...