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A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
S. Syndics of the Drapers' Guild; Seated Girl in Peasant Costume; Self-Portrait (Bol) Self-Portrait as the Apostle Paul; Self-Portrait with Dishevelled Hair
120 Paintings from the Rijksmuseum is a selection of paintings that were included in a booklet of illustrations in the Rijksmuseum Amsterdam giftshop for visitors during the years 1950–1990. It was meant as an illustrated companion guide to the catalog of the paintings on show , which included information about the +/-1,200 paintings on show.
The Sacrifice of Isaac (Rembrandt) The Sacrifice of Isaac (Studio of Rembrandt) Saint Bartholomew (Rembrandt) Saint Matthew and the Angel (Rembrandt) Samson and Delilah (Rembrandt) Samson Threatening His Father-In-Law; Saul and David (painting) The Senses (Rembrandt) Simeon in the Temple; Slaughtered Ox; Still Life with Peacocks; The Stone Bridge
The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W23 : Three Scribes: c. 1628-1629: Pen, brush: 22.6 x 17.6 cm: Rijksmuseum Amsterdam: The drawing is related to the painting W23 : Old Man with Outspread ...
This was the first evaluation in the painting’s 400-year history that combined X-rays with spectroscopy of a paint sample and 3D digital reconstructions, and it revealed a lead-rich layer that ...
Rembrandt statue and the sculptures of The Night Watch in 3D at the Rembrandtplein in Amsterdam Rembrandt statue in Leiden Rembrandt and Saskia. Rembrandt Harmenszoon van Rijn (1606–1669) is one of the most famous, [1] [2] controversial, and one of the best expertly researched (visual) artists in history.
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]