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This work, not having a strictly scientific nature as other better-known works, has been reputed among Bacon's literary works. However, two of the chapters, "Cupid; or the Atom", and "Proteus; or Matter" may be considered part of Bacon's scientific philosophy. Bacon describes in "Cupid" his vision of the nature of the atom and of matter itself.
The Italianate entry to York House, built around 1626 in Strand, the year of Bacon's death. Francis Bacon was born on 22 January 1561 [13] at York House near Strand in London, the son of Sir Nicholas Bacon (Lord Keeper of the Great Seal) by his second wife, Anne (Cooke) Bacon, the daughter of the noted Renaissance humanist Anthony Cooke.
Portrait of Francis Bacon, Viscount St Alban, by John Vanderbank, circa 1731, after a portrait by an unknown artist (circa 1618). This is a complete chronological bibliography of Francis Bacon . Many of Bacon's writings were only published after his death in 1626.
Works by Francis Bacon (philosopher) (6 P) Pages in category "Francis Bacon" ... The Death of Francis Bacon; E. Elizabeth I (2005 TV series) H.
Crucifixion (1933). Crucifixion (CR 33-01) is an early oil-on-canvas painting by Francis Bacon, made in 1933 when Bacon was aged 23 or 24.It was one of three paintings on the subject of the Crucifixion of Jesus that he made in 1933, the others being his Crucifixion with Skull (CR 33-03), commissioned by art collector Sir Michael Sadler, and Wound for a Crucifixion (later destroyed by Bacon).
Triptych November 1981 – January 1982 (left panel) (Oil, pastel and transfer lettering on canvas, 198 x 147.5 cm, Private collection, the Estate of Francis Bacon) [75] 1982. Three Studies for Portrait (Mick Jagger) (Oil and pastel on canvas, each panel 35.5 x 30.5 cm (14 x 12 in), Private collection, New York City) (small triptych) [76] 1983
History of the Reign of King Henry VII is a 1622 work by the English writer Francis Bacon. It charts the reign of the first Tudor monarch Henry VII who took the throne from his rival Richard III in 1485. At the time of writing Bacon had recently fallen from political power, and completed the work in late 1621 and sent a copy to James I. It was ...
The triptych summarises themes explored in Bacon's previous work, including his examination of Picasso's biomorphs and his interpretations of the Crucifixion and the Greek Furies. Bacon did not [ 1 ] realise his original intention to paint a large crucifixion scene and place the figures at the foot of the cross.