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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
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The Paris-based world music record label Buda Musique began the Éthiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of 2017, there have been 30 releases.
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
Mahmoud Ahmed (Amharic: ማሕሙድ አሕመድ; born 8 May 1941) [1] [2] [3] is an Ethiopian singer. [4] He gained great popularity in Ethiopia in the 1970s and among the Ethiopian diaspora in the 1980s, before rising to international fame with African music fans in Europe and the Americas.
Getachew Kassa (Amharic: ጌታቸው ካሳ; 6 September 1944 – 21 February 2024) was an Ethiopian singer and percussionist.He was famous at the height of 1960s and 1970s after hiring to the country's famous clubs, the Sombrino and Axum Hall, which made him eligible to professional skills.
Tilahun's death left a lasting impact on the Ethiopian music community, one that has been unmatched with wavering support from other Ethiopian figures. Most notably, Tamagn Beyene, a close friend to Tilahun. A year after Tilahun's passing, a memorial service was held by Tamagn to honor the life and legacy of Tilahun.
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.