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Download as PDF; Printable version; In other projects ... Outline of drawing and drawings; ... A general template for Technical drawings and illustrations. See also ...
Title: Red Horse drawing of cavalry troops on horseback at Little Bighorn, 1881. Contained in: Red Horse pictographic account of the Battle of the Little Bighorn, 1881. Phy. Description: 1 drawing : graphite, colored pencil, and ink ; 61 x 92 cm. Digital Reference: Image Place of creation: United States South Dakota Cheyenne River Agency.
He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset. Jolliffe's ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
"Eclipse" and "Shakespeare" (engraving by John Scott after Sartorius). John Nost Sartorius was the son of horse-artist Francis Sartorius and the grandson of John Sartorius.He was patronised by the leading sportsmen of the day, such as the Prince of Wales, the Earl of Derby, Lord Foley, Sir Charles Bunbury, and many others, and his pictures (some of them of large size) were found in many ...
Caligula and Incitatus, drawing by Jean Victor Adam. Incitatus (Latin pronunciation: [ɪŋkɪˈtaːtʊs]; meaning "swift" or "at full gallop") was the favourite horse of Roman Emperor Caligula (r. 37–41 AD). According to legend, Caligula planned to make the horse a consul, although ancient sources are clear that this did not occur. Supposedly ...
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George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.