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A History of Music in the U.S. Armed Forces During World War II. Philadelphia: M. W. Lads, 1966. OCLC 2296000; Henderson, Hamish. Ballads of World War II. Glasgow: Privately printed by the Lili Marleen Club of Glasgow, 1950. OCLC 465530802; I'll Be Seeing You ..: Songs of World War II. Essex, England: EMI Music Pub, 1988. ISBN 0-86175-042-X ...
Resources of American music history : a directory of source materials from Colonial times to World War II. Urbana : University of Illinois Press, 1981. ISBN 0-252-00828-6. OCLC 6304409. Lee, Vera. The black and white of American popular music : from slavery to World War II. Rochester, Vt. : Schenkman Books, 2007. ISBN 0-87047-077-9.
This Is The Army made $40,000 a week for Army Relief. The opening night cast consisted of 300 actors, including Berlin, Burl Ives, and Stone (the director). [ 5 ] The show was a great success, with an opening night gross of $45,000, which, according to The New York Times , "probably is a world's record for an opening night."
"There'll Be Bluebirds Over) The White Cliffs of Dover" is a popular World War II song composed in 1941 by Walter Kent to lyrics by Nat Burton. Made famous in the United Kingdom by Vera Lynn's 1942 version, it was one of Lynn's best-known recordings and among the most popular World War II tunes.
Pages in category "Songs of World War II" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. A. A-25 song;
The secret romance between a World War II soldier and his male sweetheart emerged more than 70 years later after Mark Hignett, from Oswestry, Shropshire, began purchasing the letters from eBay.
Movies about World War II continued for the rest of the 20th century and into the 21st century, though less in number and included Schindler's List (1993 film), The boy in the Striped Pajamas (2009 film), The Thin Red Line (1998), Saving Private Ryan (1998), Flags of Our Fathers (2006) and Red Tails (2012) about the African-American Air Fighter ...
The Sound of Hope is the result of 20 years of research into music's role during the Holocaust and World War II. [3] The book’s premise is that music has an innate ability to speak to and through people in times of great stress and suffering. [4]