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"The revenue from the types of distribution, e.g. how many units were sold on DVD or digital sell thru, the value of a license to television or new media such as Pay TV or network or basic cable ...
In acting, extras are generally not eligible, but stunt performers, puppeteers, singers, and actors with lines or scripted physical interactions with characters ("supporting actors" or "day players") are eligible. [9] Principal performers generally get larger residuals. [11] In fact, the more prominent the actor, the more generous the residual.
In US law, these rights belong to the holder of the copyright, who may sell (or "option") them to someone in the film industry—usually a producer or director, or sometimes a specialist broker of such properties—who will then try to gather industry professionals and secure the financial backing necessary to convert the property into a film ...
• Fake email addresses - Malicious actors sometimes send from email addresses made to look like an official email address but in fact is missing a letter(s), misspelled, replaces a letter with a lookalike number (e.g. “O” and “0”), or originates from free email services that would not be used for official communications.
Marketing can play a big role in whether or not a film gets the green light. Audience research is a strong factor in determining the ability of a film to sell in theaters, which is ultimately how films make their money. As part of a movie's marketing strategy, audience research comes into account as producers create promotional materials. These ...
The union specifies that actors cannot act, sing, dance, perform stunts, pilot on-camera aircraft, puppeteer or do performance capture and motion capture work in front of the camera.
In recent years, studios have used technology to de-age, resurrect and at times fully replace actors. How the industry handles the rights to a performer's likeness could very well develop into a ...
The cover of the Spotlight actors' directory from 2005 for surnames M-Q. After the war, the Seale family took over. Kenneth Seale joined the company as an employee, and later became a director. He was succeeded by his son Nigel, who launched a CD version of Spotlight in 1995, which won a Professional Publishers Association award. [5]