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Pandemonium is the ninth studio album by English post-punk band Killing Joke, released on 2 August 1994 by Butterfly Records. The album marked Killing Joke's return after a four-year hiatus, the longest the band had taken since it was founded. It also featured the return of founding member Youth, who replaced Paul Raven on bass.
Killing Joke are an English rock band formed in Notting Hill, London, in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass). Their first album, Killing Joke , was released in 1980.
Killing Joke's eighth album, Extremities, Dirt & Various Repressed Emotions, was released in 1990. It included two singles, "The Beautiful Dead" and "Money Is Not Our God". A Killing Joke anthology, Laugh? I Nearly Bought One!, and two singles featuring "Change" and "Wardance" in several new versions remixed by Youth, were released in 1992.
Killing Joke guitarist/co-founder Kevin "Geordie" Walker died yesterday morning (Nov. 26) in Prague after suffering a stroke. He was 64. Kevin ‘Geordie’ Walker, Killing Joke Guitarist, Dies At 64
Batman: The Killing Joke is a 1988 DC Comics one-shot graphic novel featuring the characters Batman and the Joker written by Alan Moore and illustrated by Brian Bolland. The Killing Joke provides another origin story for the supervillain the Joker, loosely adapted from the 1951 story "The Man Behind the Red Hood!", which was written by Batman co-creator Bill Finger.
The album's lead single, "Black", earned Best New Track honors from Pitchfork. [12] While writing the album, The Soft Moon opened for Depeche Mode on a European leg of their Delta Machine Tour in 2014. [13] The Soft Moon was scheduled to open for Killing Joke's 2016 North American tour, but Killing Joke canceled because of a band member's ...
Alan Moore (born 18 November 1953) is an English author known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke, Superman: Whatever Happened to the Man of Tomorrow? and From Hell. [1]
In the 1980s, Kimsey produced Killing Joke and contributed to the band's commercial success with the more melodic and mainstream albums Night Time and Brighter Than a Thousand Suns [4] Kimsey produced Marillion 's 1985 album Misplaced Childhood and its follow-up, Clutching at Straws , and is credited as having contributed backing vocals to ...