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Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
University of Chicago Library: Classical Music Score Digitization Project (CMSDP) Common practice period, classical: Publicly editable library of public domain music in standardized, machine-parsable formats such as MusicXML, MuseScore, Sibelius, and Finale. Largest public, centralized repository of fully digitized CPP scores.
Rischel & Birket-Smith's Collection of guitar music 1 Det Kongelige Bibliotek, Denmark; Boije Collection The Music Library of Sweden; Free scores by Matteo Carcassi at the International Music Score Library Project (IMSLP) Large collection of free sheet music by Carcassi from Cantorion.org. Free scores Mutopia Project
The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses.
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
Musopen, under the URL musopen.org, is a 501(c)(3) non-profit organization which prioritizes "improving access and exposure to music by creating free resources and educational materials". [M 1] The website creates, produces and disseminates public domain music via recordings, sheet music and educational resources concerning Western classical music.
"Litmus Distance" is a series of two small pieces for classical guitar, composed by Takashi Yoshimatsu. One of the composer's debut works, he describes it as a new kind of imagined folk music, portraying of the distance of the bedouins. [1] The sheet music for these pieces was issued together in Yoshimatsu : Guitar Works Vol. 2 : Wind color Vector.
Born in Marseille, Meissonnier learned the guitar from his elder brother, Jean-Antoine Meissonnier (1783–1857), himself a guitarist and publisher. [2] After he moved to the capital, he taught the instrument for a long time, before taking over the business of a music merchant, Corbaux, at 28 rue Dauphine in Paris.
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