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The Palladium was known for its dancers as well as its music, fueled by weekly dance competitions and pie contests along with a Female Best Leg Contest. Ability to dance, not class or color, was the social currency. The Palladium's top dancers, Augie and Margo Rodríguez were the mambo dancing champions.
Located at 206 South Jefferson Street in Chicago, [3] the club was made out of a three-story former factory. The Warehouse drew in around five hundred patrons from midnight Saturday to midday Sunday. The Warehouse was patronized primarily by gay black and Latino men, [4] who came to dance to disco music played by the club's resident DJ, Frankie ...
Zumba was created in the 1990s by dancer and choreographer Beto Pérez, an aerobics instructor in Cali, Colombia.After forgetting his usual music one day, and using cassette tapes of Latin dance music (salsa and merengue) for class, Pérez began integrating the music and dancing into other classes, calling it "Rumbacize".
In 1984, a Latin presence was established when the first song recorded in the genre by a Latin American artist, "Please Don't Go", by newcomer Nayobe (a singer from Brooklyn and of Afro-Cuban descent) was recorded and released. [13] The song became a success, reaching No. 23 on the Billboard Hot Dance Music/Club Play chart. In 1985, a Spanish ...
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Latin dance is a mix of various dance styles from cultures around the world, creating a dance style encompassing this new age of Latin culture. [9] Influences deriving from West African, African American, and European dance styles were all comprised in the making of many of these Latin dances such as: Salsa , Mambo , Merengue , Rumba, Cha-cha ...
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The clubs popularity truly rose after the live recording of Charlie Palmieri’s "Pachanga at the Caravana Club" in 1961 which cemented its reputation as the home of Pachanga. At the Triton Club on the other hand, Johnny Pacheco improvised a dance move known as the “Bronx Hop” which later became a major part of the Pachanga dance fad.