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The Rolling Stone Album Guide, previously known as The Rolling Stone Record Guide, is a book that contains professional music reviews written and edited by staff members from Rolling Stone magazine. Its first edition was published in 1979 and its last in 2004.
Record Review is a Saturday morning radio programme (usually airing from 9 am to 11:45 am) dealing with recent classical music releases, topical issues and interviews. . The programme title is a return of Record Review which was broadcast on Network Three occasionally from 1949, then weekly from 1957 presented by John Lade and then from 1981, Paul Vaughan, until 1
Music Lovers' Phonograph Monthly Review (PMR) was an American magazine for record enthusiasts founded in Jamaica Plain, Boston, by Axel B. Johnson. [1] The first issue was dated October 1926 (Vol., no. 1) [a] – three years, six months after the first issue of Gramophone, a similar magazine founded in London by Compton Mackenzie.
For example, his review of the Leonard Cohen album Live Songs (1973) states Cohen "risks turning into the Pete Seeger of romantic existentialism", while the Doobie Brothers' Takin' It to the Streets (1976) is panned in a single sentence: "You can lead a Doobie to the recording studio, but you can't make him think." [23]
Cadence; Canadian Musician; Canadian Review of Music and Art; Careless Talk Costs Lives (also known as Careless Talk or CTCL); Cashbox; CCM; CD Review (also known as Digital Audio and Digital Audio and Compact Disc Review)
All Music had published biographies of 30,000 artists, 120,000 record reviews, and 300 essays written by "a hybrid of historians, critics, and passionate collectors". [ 8 ] [ 9 ] In late 2007, AllMusic was purchased for $72 million by TiVo Corporation (known as Macrovision at the time of the sale, and as Rovi from 2009 until 2016).
An announcement on the MRR website in January 2019 stated "It is with heavy hearts that we are announcing the end of Maximum Rocknroll as a monthly print fanzine. There will be three more issues of the fanzine in its current format; later in 2019 we will begin publishing record reviews online alongside our weekly radio show." [3] [4]
Using this technique, the audio data is stored as a sequence of fixed amplitude (i.e. 1-bit) values at a sample rate of 2.884 MHz, which is 64 times the 44.1 kHz sample rate used by CD. At any point in time, the amplitude of the original analog signal is represented by the density of 1's or 0's in the data stream.