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Baroque furnishings in general have common characteristics such as being anchored to walls with undecorated backs, different woods including rosewood, ebony and tortoiseshell, carved elaborately and furnished with legs that are either straight, bracketed, or in Flemish scroll design. Chairs. Arm chairs had high backs and were primarily rectangular.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
Between 1755 and 1760, the forms of furniture and interior decoration began to change into what became known as the Second Style Louis XV, or the Style Transition. The rocaille decoration remained, but became more discreet and restrained. Secondly, the new wave of enthusiasm for ancient Greece and Rome brought a series of new decorative themes ...
Interior decoration during the reign of Louis XV fell into two periods; the first especially featured rocaille ornament, sculpted sinuous curves and counter-curves, often in floral and vegetative patterns, applied to the panels of the walls, often with medallions in the center. The panels large mirrors were framed in often framed with sculpted ...
French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture .
The facade stands out with its dramatic design and layered niches. In 1627, Richini designed the façade of the Collegio Elvetico (now the seat of Archivio di Stato), using a curved design to connect the interior and exterior. This innovative approach, possibly the first curved Baroque façade, anticipated themes later seen in Borromini's work ...
Some of the characteristics of Haussmann's design include straight, wide boulevards lined with trees, and short access to parks and green spaces. [160] The plan highlights some important buildings, such as the Paris Opera House. Aerial view of Barcelona. More characteristics of Baroque urban planning are embodied in Barcelona.
The Louis XVI style was a reaction to and transition the French Baroque style, which had dominated French architecture, decoration and art since the mid-17th century, and partly from a desire to establish a new Beau idéal, or ideal of beauty, based on the purity and grandeur of the art of the Ancient Romans and Greeks.
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