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Stone Deaf Forever! is the first fully comprehensive box set collection covering the band's career from 1975 to 2002 and is the first box set to be issued with full band approval: the track listing was compiled in association with the band and its fan club.
Orgasmatron is the seventh studio album by English rock band Motörhead, released in July 1986 by GWR Records, the band's first album with the label.. It is the band's first album to feature two guitarists Phil "Wizzö" Campbell and Michael "Würzel" Burston, and also the only full Motörhead studio album to feature Pete Gill on the drums, although all three also played on the new tracks ...
In short, it's a hidden Amazon page (we love a hidden Amazon page) with official merchandise from over 150 different artists, including tons of Amazon-exclusive merch you can't find anywhere else ...
Reviewers have noted the album shows the less heavier side of Motörhead as there are "one or two too many slower tracks, but it's still heavy for the most part" and having a mixture of musical ideas, ranging from the true metal of "Dogs of War" and "Assassin" to rock and roll influenced songs like "Snake Bite Love" and "Don't Lie to Me".
25 & Alive Boneshaker is a live DVD released in November 2001 featuring Motörhead's 25th anniversary concert at Brixton Academy on 22 October 2000. The concert has also been released as a double live CD entitled Live at Brixton Academy in December 2003.
The Richard-Berry-cover "Louie, Louie" was originally released by Motörhead on the single Louie, Louie in 1978."Tear Ya Down" was originally released on the studio album Overkill in 1979.
And Amazon said: "..rekindles memories of a momentous night that even a cosmopolitan city like London doesn t see every day. Early June 2005 saw the long queue in front of the venerable Hammersmith Odeon, a venue of many legendary live shows, stretch right to the tube station on the other side of the road.."
Joel McIver points out in his 2011 book on the band Overkill: The Untold Story of Motorhead, "Although the EP reached number 5 on the UK singles chart and even the critics gave it a begrudging thumbs-up, more than a few purists regard it as a sidestep into less serious, almost novelty territory that marked the beginning of a worrying tendency on Motorhead's part to get involved in projects ...
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