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Reviewing for El Periódico de Catalunya, Beatriz Martínez scored 3 out of 5 stars, finding satisfying that Toro breaks the self-imposed limits of political correctness in Spanish cinema, also considering that the film featured "one of the most conceptual visual designs of recent times", although she considered that eventually Kike Maíllo's ...
Cha Cha Cha Films (Spanish: Cha Cha Chá Producciones) is a film production company founded by The filmmakers Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro. The first film released under the Cha Cha Cha banner was Rudo y Cursi , [ 1 ] which the three partners produced but did not direct.
48-Inch Tow Plug Aerator. The Agri-Fab 48-inch tow plug aerator is a robust and efficient tool for aerating large lawns. Its 48-inch width allows for wide coverage in a single pass, making it ...
In a 2022 review of both Killer Crocodile 2 and its predecessor, Paul Lê of Bloody Disgusting wrote: "The recycling of past footage helps pad the runtime, the man-operated croc prop somehow seems more stiff this time around, and the conclusion is rushed. All in all, Killer Crocodile 2 is more of the same but now with only half the charm and ...
A trailer for Back to the Future Part III is shown before the end credits. God of Gamblers: A collection of outtakes from the film runs during the end credits. The Adventures of Milo and Otis: Milo, Otis, Joyce, and Sondra (along with their litters) happily find their way back together through the forest to their farm as the credits roll.
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Although he was uncredited for his work [2] (the billing credited "Mercedes Films" [6]), he received an undisclosed fee for his involvement [2] and retained the rights to make a real Lucky Star movie in the future. [1] [3] The "lucky star" (German: Dreifach stern) is the name of the three-pointed star that makes up the Mercedes Benz logo. [5]
Cronos is a 1992 Mexican independent horror drama film written and directed by Guillermo del Toro and starring Federico Luppi and Ron Perlman. Cronos is del Toro's first feature film, and the first of several films on which he worked with Luppi and Perlman.