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Some examples of changes in form in indirect speech in English are given below. See also Sequence of tenses, and Uses of English verb forms § Indirect speech. It is raining hard. She says that it is raining hard. (no change) [4] She said that it was raining hard. (change of tense when the main verb is past tense) I have painted the ceiling blue.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Some linguists draw a distinction between static (or stative) passive voice and dynamic (or eventive) passive voice in some languages. Examples include English, German, Swedish, Spanish and Italian. "Static" means that an action was, is, or will be done to the subject at a certain point in time that did, does, or will result in a state in the ...
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Virginia Woolf's unique narrative voice, Thomas Pynchon's postmodernist tendencies, and Jane Austen's use of free indirect discourse are examples of the kind of stylistic elements that have been extensively discussed by scholars and merit mention on any page about these authors' novels. Once again, this should be based on the best sources you ...
In Emma, for example, the first time the town sees Mr. Elton's wife is at church. (Chris Hammond, 1898) Austen's style was heavily influenced by the language of the King James Version of the Bible and, especially, by the Book of Common Prayer, both of which Austen heard spoken every week all of her life as a part of Anglican services. [83]
Unspeakable Sentences: Narration and Representation in the Language of Fiction is a study of sentences in free indirect speech and its limitations, published in 1982 by American literary expert and linguist Ann Banfield.
Indirect or implicit characterization The audience must infer for themselves what the character is like through the character's thoughts, actions, speech (choice of words, manner of speaking), physical appearance, mannerisms and interaction with other characters, including other characters' reactions to that particular person.
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