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Five Days at Memorial is an American disaster medical drama miniseries based on the 2013 book of the same name by Sheri Fink. It was developed, written and directed by John Ridley and Carlton Cuse. The miniseries premiered on August 12, 2022, on Apple TV+.
This EF 24–105mm f/4L IS USM lens is available in kits packaged with the EOS 5D Mk II, 5D Mk III and EOS 6D. The EF 24-105mm f/3.5-5.6 IS STM is a newer 'low cost' alternative to the EF 24–105mm f/4L IS USM. It has the same zoom range, but a non-constant aperture range which is typical of many non-professional zoom lenses.
The Canon EF-S 55–250mm f / 4–5.6 IS lenses are a series of telephoto zoom lenses for Canon EOS digital single-lens reflex cameras with a Canon EF-S lens mount. [1] [2] All versions of the lens provide a 35 mm equivalent focal length of 88–400mm, and are advertised by Canon as providing four-stop image stabilization.
The first series was first broadcast on BBC One from 23 January to 1 February 2007, and repeated on BBC Four from 9 to 13 April 2007. The first series follows five non-consecutive days (days 1, 3, 28, 33 and 79) of a police investigation into the disappearance of a young mother and her two children.
John Ridley and Carlton Cuse are the creative forces behind the eight-episode limited series focused on a New Orleans hospital and the tragedies of Hurricane Katrina.
The Canon EF 28–105 mm f / 4–5.6 is an inexpensive zoom lens often included as a kit lens with Canon 35 mm single-lens reflex cameras. 28–105 mm is a standard wide to telephoto zoom range. The Canon EF 28–105 mm f / 3.5–4.5 USM is a higher quality zoom lens with a better build quality. Currently every version of this lens is discontinued.
The EF 300mm is a L series lens. This lens is constructed with a metal body and mount, and with plastic extremities and switches. Features of this lens are: a wide rubber focus ring that is dampened, a distance window, the ability to limit the focus range, and an image stabilizer (on the IS versions).
f / 4.5–5.6 Image Key features Image stabilizer: No Environmental Sealing No Ultrasonic Motor: No L-series: No Diffractive Optics: No Macro: No Technical data Maximum aperture: f / 4.5– f / 5.6 Minimum aperture: f / 27 Horizontal viewing angle: Vertical viewing angle: Diagonal viewing angle: 31.8°–59.3° [2] Groups/elements 6/6 # of ...
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