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Five Days at Memorial is an American disaster medical drama miniseries based on the 2013 book of the same name by Sheri Fink. It was developed, written and directed by John Ridley and Carlton Cuse. The miniseries premiered on August 12, 2022, on Apple TV+.
John Ridley and Carlton Cuse are the creative forces behind the eight-episode limited series focused on a New Orleans hospital and the tragedies of Hurricane Katrina.
John Ridley and Carlton Cuse's eight-part Apple TV+ series embraces the tragic murkiness of institutional collapse in the wake of an unthinkable catastrophe.
f / 4.5–5.6 Image Key features Image stabilizer: No Environmental Sealing No Ultrasonic Motor: No L-series: No Diffractive Optics: No Macro: No Technical data Maximum aperture: f / 4.5– f / 5.6 Minimum aperture: f / 27 Horizontal viewing angle: Vertical viewing angle: Diagonal viewing angle: 31.8°–59.3° [2] Groups/elements 6/6 # of ...
Canon offered four lens options: 35mm f/3.5, 50mm f/1.8, 95mm f/3.5, and 125mm f/3.5. Through the lens metering was center weighted and automatic exposure was shutter speed priority. Only two cameras were offered and the line was not successful.
From left to right: EF 28-300mm f / 3.5-5.6L IS USM, 70–200 f / 2.8L IS USM, 300mm f / 2.8L IS USM, 500mm f / 4L IS USM. The EF 500mm lenses are a group of super-telephoto prime lenses made by Canon that share the same focal length. These lenses have an EF type mount, and fit the Canon EOS line of digital single lens reflex cameras.
The Canon EF-S 55–250mm f / 4–5.6 IS lenses are a series of telephoto zoom lenses for Canon EOS digital single-lens reflex cameras with a Canon EF-S lens mount. [1] [2] All versions of the lens provide a 35 mm equivalent focal length of 88–400mm, and are advertised by Canon as providing four-stop image stabilization.
This EF 24–105mm f/4L IS USM lens is available in kits packaged with the EOS 5D Mk II, 5D Mk III and EOS 6D. The EF 24-105mm f/3.5-5.6 IS STM is a newer 'low cost' alternative to the EF 24–105mm f/4L IS USM. It has the same zoom range, but a non-constant aperture range which is typical of many non-professional zoom lenses.
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