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Cult films are films with a dedicated and passionate following, often defined by their opposition to mainstream appeal and traditional cinematic norms. [1] While the term lacks a singular definition, it generally includes films that inspire devoted fan engagement, such as cosplay, participatory screenings, and festivals.
The Legend of the Wolf Woman (also known as Werewolf Woman) 1976: Rino Di Silvestro [4] Legionnaire: 1998: Peter MacDonald [2] Lemonade Joe: 1964: Oldřich Lipský [2] Leningrad Cowboys Go America: 1989: Aki Kaurismäki [2] Lenny: 1974: Bob Fosse [1] Léon: The Professional: 1994: Luc Besson [1] The Leopard: 1963: Luchino Visconti [2] Let Me ...
Professors Xavier Mendik and Ernest Mathijs, authors of 100 Cult Films, argue that the devoted following among these films make them cult classics. In many cases, films that have cult followings may have been financial flops during their theatrical box office run, and even received mixed or mostly negative reviews by mainstream media, but are ...
Cult film; The Cult Film Reader; The Cult Movie Network; Cult Movies (book) Cult Movies 2; Cult Movies 3; Cult wine; F. The Fifty Worst Films of All Time; I.
Film Year Director Source À ma sœur! (also known as Fat Girl) 2001: Catherine Breillat [1] A.I. Artificial Intelligence: 2001: Steven Spielberg [1] [2] Aag (or more fully Ram Gopal Varma Ki Aag) 2007: Ram Gopal Varma [1] [3] Abbott and Costello Meet Dr. Jekyll and Mr. Hyde: 1953: Charles Lamont [2]
Mesa of Lost Women: 1953: Herbert Tevos and Ron Ormond [17] Meshes of the Afternoon: 1943: Maya Deren and Alexandr Hackenschmied [3] The Message: 1976: Moustapha Akkad [3] Metallica: Some Kind of Monster: 2004: Joe Berlinger and Bruce Sinofsky [2] Metropolis: 1927: Fritz Lang [12] [1] [2] [3] Miami Connection: 1987: Richard Park and Y.K. Kim ...
Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there is debate ...
Film Year Director Source The Wackness: 2008: Jonathan Levine [1]The Wages of Fear: 1953: Henri-Georges Clouzot [1]Waiting for Guffman: 1996: Christopher Guest [2]Waitress
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