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Traditional picking styles (classic banjo), including those for folk, bluegrass, and classical guitar, consist of an up-picking motion by the fingers and a down-picking motion by the thumb; this is also the technique used in the Scruggs style for the banjo. Clawhammer picking, by contrast, is primarily a down-picking style.
In the Reno style, the index finger and thumb generally alternate while picking, and often pick the same string two or more times in succession. One aspect of Keith style which makes it difficult to learn is that one often moves to a higher note in the scale by picking a lower string, albeit fretted to give the higher note.
Scruggs style is the most common style of playing the banjo in bluegrass music. It is a fingerpicking method, also known as three-finger style . It is named after Earl Scruggs , whose innovative approach and technical mastery of the instrument have influenced generations of bluegrass banjoists ever since he was first recorded in 1946.
The Briggs Banjo Method, considered to be the first banjo method and which taught the stroke style of playing, also mentioned the existence of another way of playing, the guitar style. [ 40 ] [ 41 ] Alternatively known as "finger style", the new way of playing the banjo displaced the stroke method, until by 1870 it was the dominant style. [ 42 ]
Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the traditional way the five-string banjo had previously ...
The banjo used in old-time music is typically a 5-string model [17] with an open back (i.e., without the resonator found on most bluegrass banjos). Today, old-time banjo players most commonly utilize the clawhammer style, but there were numerous styles, most of which are still used to some extent today. The major styles are down-picking ...
Bertie learned to play the fiddle and banjo as a young child, and played both the old-time clawhammer style as well as a two-finger, up-picking technique. Her style was described by fellow musician and friend Alice Gerrard as "sparse and beautiful, like Bert herself, with a classic dignity and sound." [3] She was married to Marvin Dickens (1899 ...
This required her to adopt a unique style for the guitar. She first played with the "all finger down strokes" like a banjo. [14] Later, her playing evolved into a unique style of fingerpicking. Her signature alternating bass style is now known as "Cotten picking". Her fingerpicking techniques have influenced many other musicians. [27]
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