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The Human League Video Single: VHS, Beta: Contains videos for "Mirror Man", "Love Action" and "Don't You Want Me". 1988 Human League Greatest Hits: VHS, LD: Tie-in with 1988 Greatest Hits, containing videos for all tracks on that album except "Being Boiled" and "Love Is All That Matters", plus "Circus of Death". 1995 The Human League Greatest ...
It should only contain pages that are The Human League songs or lists of The Human League songs, as well as subcategories containing those things (themselves set categories). Topics about The Human League songs in general should be placed in relevant topic categories .
It contains cover versions of 16 of the Human League's songs, including performances by Ladytron, Lali Puna, Momus, Future Bible Heroes, Stephin Merritt and The Aluminum Group. [49] Nightshift identified the Human League, and fellow late 1970s debutants Gary Numan and Orchestral Manoeuvres in the Dark (OMD), as "the holy trinity of synth-pop". [50]
The Human League Video Single (1983) L. Live at the Dome (The Human League concert video) V. The Very Best of The Human League (video)
The music video for "Soundtrack to a Generation" was a simply shot studio performance of the song with video smudge effects and a video overlay of falling leaves to give an "autumn" effect. The band's dress style had been a deliberate attempt to distance themselves from the over-stylized, late-1980s videos.
The Very Best of the Human League is a DVD by veteran British Synthpop group The Human League, containing most of the band's music videos recorded up to that point, digitally re-mastered. The only music video missing is Filling up with Heaven from 1995 which was excluded due to a licensing fee dispute between Virgin Records and EastWest [ 1 ]
"Heart Like a Wheel" is a song by English synth-pop band The Human League. It was the first single to be taken from the Romantic? album (1990), and was written by former band member Jo Callis with Eugene Reynolds (of the Rezillos) and features vocals by Philip Oakey, Joanne Catherall and Susan Ann Sulley; with synthesizer by Neil Sutton.
In 1985, recording for the Human League's fifth album was not going well. The band did not like the results, which caused internal conflict. Virgin Records executives, worried by the lack of progress from their at-the-time most profitable signing, suggested the band accept an offer to work with producers Jimmy Jam and Terry Lewis, who had material to work with and had expressed an interest in ...