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There’s more to the neutral color spectrum than gray, white, and beige. In fact, between these basics lives a whole range of relaxed cream paint colors that are the crème de la crème of wall ...
Magenta is variously defined as a purplish-red, reddish-purple, or a mauvish–crimson color. On color wheels of the RGB and CMY color models, it is located midway between red and blue, opposite green. Complements of magenta are evoked by light having a spectrum dominated by energy with a wavelength of roughly 500–530 nm.
Near neutrals can be of any hue or lightness. For example, the "Achromatic" use of a white background with black text is an example of a basic and commonly default color scheme in web design. Neutrals are obtained by mixing pure colors with white, black or gray, or by mixing two complementary colors. In color theory, neutral colors are colors ...
An achromatic gray is a gray color in which the red, green, and blue codes are exactly equal. The web colors gray, gainsboro, light gray, dark gray, and dim gray are all achromatic colors. A chromatic gray is a gray color in which the red, green, and blue codes are not exactly equal, but are close to each other, which is what makes it a shade ...
Moving vertically in the color solid, colors become lighter (toward the top) and darker (toward the bottom). At the upper pole, all hues meet in white; at the bottom pole, all hues meet in black. The vertical axis of the color solid, then, is gray all along its length, varying from black at the bottom to white at the top, it is a grayscale. All ...
In this traditional scheme, a complementary color pair contains one primary color (yellow, blue or red) and a secondary color (green, purple or orange). The complement of any primary color can be made by combining the two other primary colors. For example, to achieve the complement of yellow (a primary color) one could combine red and blue.
This moves the mixed color toward a neutral color—a gray or near-black. Lights are made brighter or dimmer by adjusting their brightness, i.e., energy level; in painting, lightness is adjusted through mixture with white, black, or a color's complement. The Color Triangle depicting tint, shade, and tone was proposed in 1937 by Faber Birren. [4]
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