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Portrait of a woman wearing a heavily ruffled cap, 1789 Mechanical ruffler by Singer, used on domestic sewing machines. In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming.
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
Emanuel de Geer wearing a military sash over a buff jerkin and sporting a cravat with it in 1656, portrait by Bartholomeus van der Helst. According to 1828 encyclopedic The art of tying the cravat: demonstrated in sixteen lessons, the Romans were the first to wear knotted kerchiefs around their necks, but the modern version of the cravat (French: la cravate) originated in the 1660s.
The shape of a necklines can be modified in many ways, e.g., by adding a collar or scarf, overlaying it with a gauzy material or decorating the edges with scallops, picots or ruffles. The neckline can be a sharp edge of fabric or a more gentle cowl, and can also be accentuated by pattern(s) in the fabric itself. Ruffs were popular in the ...
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
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A standing collar with a pleated, ruffled, or lace-trimmed frill down the front. Johnny collar: A style with an open, short V-neck and a flat, often knit collar. Kent collar: One of the most frequent contemporary collar styles. Lacoste collar: the un-starched, flat, protruding collar of a tennis shirt, invented by René Lacoste. Long point collar
Her gown has a pattern of jewels at the neckline, and her wide sleeves are turned up to show the lining. Mary Wotton, Lady Guildenford wears a gable hood with a loose veil. The bodice of her gown (presumably laced at the side-back or back) is decorated with draped chains, and her smock sleeves are pulled through the open outer seam of her ...
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