Search results
Results from the WOW.Com Content Network
An early cloudscape photographer, Belgian photographer Léonard Misonne (1870–1943), was noted for his black and white photographs of heavy skies and dark clouds. [ 1 ] In the early to middle 20th century, American photographer Alfred Stieglitz (1864–1946) created a series of photographs of clouds, called "equivalents" (1925–1931).
A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Here was this great white field of clouds solid against the blue." [30] The painting is a minimalist work that reduces the sky and clouds to distinct planes of color. Minimalism was a popular genre for young artists in the 1960s. O'Keeffe herself compared Sky above White Clouds I to the then-current work of American artist Kenneth Noland.
Image:Map of USA-bw.png – Black and white outlines for states, for the purposes of easy coloring of states. Image:BlankMap-USA-states.PNG – US states, grey and white style similar to Vardion's world maps. Image:Map of USA with county outlines.png – Grey and white map of USA with county outlines.
Elements of art – group of aspects of a work of art used in teaching and analysis, in combination with the principles of art. They are texture, form, line, color, value, and shape. Perspective – the principle of creating the illusion of 3-dimensionality on a 2-dimensional source such as paper.
Clouds of the genus cumulonimbus have very-dark-gray-to-nearly-black flat bases and very high tops that can penetrate the tropopause. They develop from cumulus when the air mass is convectively highly unstable. They generally produce thunderstorms, rain or showers, and sometimes hail, strong outflow winds, and/or tornadoes at ground level.
As with Fine Wind, Clear Morning, a thin line of Prussian blue is used in the upper portion of the sky, but here the clouds have a smoke-like quality and appear to cling to the mountain. [3] The three peaks at the summit suggest that this view is of the back of Fuji (i.e. seen from the West), another contrast with the Red Fuji print. [4]
While debates persist regarding the precise date and location of the painting's creation, [4] it is thought to either depict the specific Saint-Cloud area, or the general region of Île-de-France. [1] A related work, After the Storm (1872), shares similar thematic concerns and may have been executed contemporaneously in the same place. [4]