Search results
Results from the WOW.Com Content Network
Pitchfork reviewed the song, giving it the Best New Music designation and noting a stylistic shift, comparing it to "a Tropicalia version of a Christmas song, or a '60s jukebox standard playing in a beach town diner during the off-season." The album was released in February 2019 on the independent labels Mexican Summer and City Slang.
The band's name comes from a Mexican slang term, chingón, loosely but closely enough meaning "badass" and/or "the shit". Chingon also contributed the song " Malagueña Salerosa " to Quentin Tarantino 's Kill Bill Volume 2 — which Rodriguez scored — and a live performance by the band was included on the film's DVD release.
Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness.
From the guitarron and the requinto to the guiro and the tololoche, these are some of the instruments responsible for música Mexicana's distinct qualities.
A Mexican guitarrón player in a traditional Mariachi uniform. The guitarrón mexicano ( Spanish for "big Mexican guitar", the suffix -ón being a Spanish augmentative ) or Mexican guitarrón is a very large, deep-bodied Mexican six-string acoustic bass guitar played traditionally in Mariachi groups.
Gomez explores a new frontier by acting in Spanish for the first time. Yet, she also taps into a familiar strength: singing. Her performance of ‘Mi Camino,’ sung entirely …
The Spanish lyrics use the image of a migrating swallow to evoke sentiments of longing for the homeland. It became the signature song of the exiled Mexicans. The song was recorded in 1906 [2] by Señor Francisco. [3] [4] A guitar instrumental was recorded by Chet Atkins in 1955. The song has also been recorded by Caterina Valente (1959) Nat ...
Guero is the ninth studio album by American musician Beck, released on March 29, 2005, by Interscope Records.It was produced with John King and Mike Simpson of the Dust Brothers, who had worked with Beck on his 1996 album Odelay, [1] as well as Tony Hoffer.