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Saxophone on Dirty Moose, Man in the Street and Vibe by Timo Lavanko and Ilkka Hämäläinen; Saxophone on Tempo by Ilkka Hämäläinen; Cellos on Every Day by Tuukka Helminen; Timpani on Every Day by Mikko Pietinen; Organ on Dirty Moose and Help Me Sing by Pate Kivinen; Panda 49 on Swimming with the Kids and keyboards on Man in the Street and ...
"De Camptown Races" or "Gwine to Run All Night" (nowadays popularly known as "Camptown Races") is a folk song by American Romantic composer Stephen Foster. It was published in February 1850 by F. D. Benteen and was introduced to the American mainstream by Christy's Minstrels , eventually becoming one of the most popular folk/ Americana tunes of ...
The clean version of the 8 Mile soundtrack removes most of the strong language, sexual and violent content. The only word left uncensored on the soundtrack, is the word "ass" (except on "Places to Go" by 50 Cent, where the word "ass" is used twice, but the word was only censored once). No other words are uncensored on the clean version of "8 Mile".
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash, released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of the self-titled studio album .
The man tried to get the moose to stay put: "[That's] close enough, bud," the man told the moose in the footage. "That's close enough, buddy." Related: Moose in Alaska Tries to Help Itself to ...
Lord Rockingham's XI was a group of British session musicians, led by Harry Robinson (1932–1996), who had a No. 1 hit on the UK Singles Chart in 1958 with "Hoots Mon". [1] [7] [8]
"Nowhere to Run, Nowhere to Hide" is a song written and performed by American hardcore hip-hop four-piece supergroup Gravediggaz. It was released on September 6, 1994 via Gee Street Records as the second single from the group's debut full-length studio album 6 Feet Deep .
The song reached No. 7 on the U.S. mainstream rock chart in 1994. [3] The song appeared on their 1994 album, Where It All Begins, [4] and on the soundtrack to the 1994 film The Cowboy Way. The song features the Bo Diddley beat. [5] The song was featured in an episode of the TV show King of the Hill.