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Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
' song ') [1] [2] [3] is a term for setting poetry to classical music to create a piece of polyphonic music. [4] The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, lied is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages ...
Organum – Early form of polyphonic music involving the addition of one or more voices to a preexisting chant. Planctus – Composition mourning the death of a notable figure, often in a liturgical context, similar in function to a dirge. Rondeau – French poetic-musical form. Trecento Madrigal – Secular polyphonic vocal composition.
The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...
The Polyphonic era is a term used since the mid-19th century to designate an historical period in which harmony in music is subordinate to polyphony. [1] It generally refers to the period from the 13th to the 16th century. [ 2 ]
Usually the term ars antiqua is restricted to sacred (church) or polyphonic music, excluding the secular (non-religious) monophonic songs of the troubadours, and trouvères. Although colloquially the term ars antiqua is used more loosely to mean all European music of the 13th century, and from slightly before.