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Issued as the first single from the disc, "El Mundo" rose to No. 10 on the official chart released by Productores de Música de España. [6] The song also achieved success in Latin America, particularly Argentina, thanks to its inclusion in the soap opera Dulce Amor.
Edmundo González Urrutia (born 29 August 1949) is a Venezuelan politician, analyst, and diplomat. A member of the Unitary Platform political alliance, González was its candidate in the 2024 Venezuelan presidential election .
José Edmundo Paz-Soldán Ávila (Cochabamba, 29 March 1967) is a Bolivian writer. [1] His work is a prominent example of the Latin American literary movement known as McOndo , in which the magical realism of previous Latin American authors is supplanted by modern realism, often with a technological focus.
By the late 1960s, tango had become mostly "for export", since musicians and audiences were aging and making little progress from the orchestral format of the 1940s and 1950s. many tango fans rejected the music of Ástor Piazzolla and his followers, but Rivero himself admired Piazzolla, and recorded his creations on more than one occasion.
Edmundo Suárez Trabanco (22 January 1916 – 14 December 1978) was a Spanish football player and coach – better known as Mundo. He was born in Barakaldo . He played as a forward for Spanish club Valencia CF for most of his career, except for his last season, where he played for CD Alcoyano .
Edmundo Desnoes (2 October 1930 – 6 December 2023) was a Cuban writer and author of the novel Memorias del subdesarrollo (Memories of Underdevelopment), a complex story depicting the alienation of a Cuban bourgeois intellectual struggling to adapt to the process of the Revolution staying on the island after his family decides to leave the country. [1]
Edmundo O'Gorman (24 November 1906 in Mexico City – 28 September 1995 in Mexico City) was a Mexican writer, historian and philosopher. He is considered as being among the earlier and most influential applicants of historical revisionism to commonly held narratives regarding the Spanish colonial period in Latin America.
In Cinema of Solitude: A Critical Study of Mexican Film, 1967–1983, Charles Ramírez Berg mentions the film together with El albañil (The Bricklayer, 1975) and El Coyote y la Bronca (Coyote and Bronca, 1980) as examples of films of Vicente Fernández in which "the Fernández character is helped by women, and he is able to accept it without feeling that he is losing his manhood," because ...