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Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
The term attitude with the psychological meaning of an internal state of preparedness for action was not used until the 19th century. [3]: 2 The American Psychological Association (APA) defines attitude as "a relatively enduring and general evaluation of an object, person, group, issue, or concept on a dimension ranging from negative to positive.
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
Orientation (geometry), or attitude, part of the description of how an object is placed in the space it occupies; Aircraft attitude, in aircraft flight dynamics, relative to the atmospheric frame or terrain; Spacecraft attitude, controlled by spacecraft attitude control; Attitude or orientation of a vehicle, described using axes conventions
That attitude tends to cultivate a temperament of compliance and passivity. For conventional thinking, "talking back to God" smacks of heresy. But a significant genre of religious, moral and spiritual audacity toward the divine authority—" chutzpah klapei shmaya "—finds a place of honor in Jewish religious thought.
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Syed Hussain Sibt-e-Asghar Naqvi, [2] [a] commonly known by his pen name Jaun Elia, [b] 14 December 1931 – 8 November 2002), was a Pakistani poet.One of the most prominent modern Urdu poets of ghazals (odes), popular for his unconventional ways, he "acquired knowledge of philosophy, logic, Islamic history, the Muslim Sufi tradition, Muslim religious sciences, Western literature, and Kabbala ...
James Mangold misses the era when movies weren’t embarrassed to make audiences feel something. The director of the Bob Dylan musical biopic “A Complete Unknown” and comic book adaptation ...