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Around this time, the Jam slimmed their team of two producers to one, Vic Coppersmith-Heaven, who helped develop the group's sound. [29] In November, the Jam released their third LP, All Mod Cons. The twelve tracks included three of the tracks previously released as singles ("David Watts", "'A' Bomb In Wardour Street", and "Down in the Tube ...
The late 1970s mod revival was led by the band The Jam, who adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod influenced bands. It was heavily influenced by the 1979 film Quadrophenia. The mod revival was a conscious effort to hark back to the earlier generation in terms of style and presentation.
The discography of the British band the Jam consists of 6 studio albums, 5 live albums, 8 compilation albums, 5 box sets, 6 videos, 3 extended plays, 18 singles, and 3 B-sides. The band, who formed in 1972, didn't debut until five years later in 1977, when they released their debut studio album In the City , which entered the UK Albums Chart at ...
All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records. The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival. The cover is a visual joke showing the band in a bare room.
[5] Weller's father worked as a taxi driver and a builder and his mother was a part-time cleaner. [6] He started his education at Maybury County First School. [7] His love of music began with the Beatles, then the Who and the Small Faces. [7] When Weller was eleven he moved up to Sheerwater County Secondary school and had started playing the ...
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Mod revival albums (4 C) G. Mod revival groups (1 C, 7 P) M. Mod revival musicians (13 P) Pages in category "Mod revival" The following 8 pages are in this category ...
Setting Sons is the fourth studio album by the English rock band the Jam, released on 16 November 1979 by Polydor Records.It reached No. 4 in the UK Albums Chart upon the first week of release, [5] continuing the commercial (and critical) favour that had begun with their previous album All Mod Cons.