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The Metropolitan Museum of Art, [16] The Johann Jacobs Museum [17] (Zurich), the Edward Thorp Gallery [18] in New York City, and the Saint Louis Art Museum [19] have mounted exhibits that have included propaganda kimono. The Boston Museum of Fine Arts received a significant donation of wartime and other omoshirogara kimono from an American ...
In Japan, like in most other countries, propaganda has been a significant phenomenon during the 20th century. [1] Propaganda activities in Japan have been discussed as far back as the Russo-Japanese War of the first decade of the 20th century. [2] Propaganda activities peaked during the period of the Second Sino-Japanese War and World War II.
The group released its first single, "Koa sannin musume" (興亜三人娘, "Three Girls Revitalizing Asia"), in December 1940, under the Nippon Columbia (Columbia Japan) label. [ 1 ] [ 2 ] The track is a Japan–Manchuria–China friendship song, sung by all three girls in the major key . [ 1 ]
Walter Kaner (May 5, 1920 – June 26, 2005) was a journalist and radio personality who broadcast using the name Tokyo Mose during and after World War II. Kaner broadcast on U.S. Army Radio, at first to offer comic rejoinders to the propaganda broadcasts of Tokyo Rose and then as a parody to entertain U.S. troops abroad.
Although Japan's light industry had secured a share of the world market, Japan returned to debtor-nation status soon after the end of the war. The ease of Japan's victory, the negative impact of the Shōwa recession in 1926, and internal political instabilities helped contribute to the rise of Japanese militarism in the late 1920s to 1930s.
Kenneth Hayes Miller introduced Kuniyoshi to intaglio printmaking; he made approximately 45 such prints between 1916 and 1918. [6] One of Kuniyoshi's more popular Intaglio prints is Bust of a Woman, Head Inclined to the Right, which can be found in the collections of both The Metropolitan Museum of Art and the Museum of Modern Art.
Japanese propaganda poster featuring Japanese agrarian immigrants in Manchukuo, designed for a Westerner audience. The Allies were also attacked as weak and effete, unable to sustain a long war, a view at first supported by a string of victories. [176] The lack of a warrior tradition such as bushido reinforced this belief. [177]
The magazine avoided the difficult expression and used not only sentences but also pictures in order to make citizens understand the government propaganda more easily. The magazine was popular among the public and was subscribed to by each community, school, and workplace. It was called "the best national propaganda magazine in East Asia". [6]
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