Ad
related to: new york times music critic free sheet music and lyrics catholic
Search results
Results from the WOW.Com Content Network
"The Vatican Rag" takes musical inspiration from ragtime pieces such as "Spaghetti Rag" (1910) and "The Varsity Drag" (1927).[1] [2] A spoken introduction describes the song as a response to the "Vatican II" council—which, among other things, broadened the range of music that could be used in services—and humorously proposes this rag as a more accessible alternative to traditional ...
The revision of music in the liturgy took place in March 1967, with the passage of Musicam Sacram ("Instruction on music in the liturgy"). In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment.
In 2011 Woolfe started working as a freelance music critic for The New York Times, reporting on opera festivals in the US and internationally. In 2015 he became classical music editor, before being appointed as chief classical music critic in 2022.
Allan Kozinn (born July 28, 1954) [1] is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. [2] He began freelancing as a critic and music feature writer for The New York Times in 1977, and joined the paper's staff in 1991. [3]
In the 1970s, he was an associate editor of Crawdaddy!, where he published his first works (outside school publications); [4] and in the 1980s, an associate editor at Rolling Stone and the music editor at The Village Voice. He started contributing to The Times in 1982. [3] He reviews popular music in the arts section of The Times. [4]
Bernard Holland (born 1933) is an American music critic. He served on the staff of The New York Times from 1981 until 2008 and held the post of chief music critic from 1995, contributing 4,575 articles to the newspaper. [1] He then became the National Music Critic, reviewing concerts, festivals and hall openings worldwide.
In 1955, he became the chief music critic at the Times, replacing Olin Downes upon Downes' death. Also in the 1950s, Taubman acted as the ghostwriter of Marian Anderson's autobiography My Lord, What a Morning. In 1960, he took the post of chief drama critic for the Times after Brooks Atkinson retired from that position. Taubman remained in that ...
He quickly began writing music criticism for the newspaper as well; eventually writing the weekly news column Music Notes as well as additional feature articles and concert and record reviews. He retired in 1981, but continued to do freelance work for The New York Times up until 1990 when he suffered a debilitating stroke.
Ad
related to: new york times music critic free sheet music and lyrics catholic