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Other paintings of horses by Géricault include Officer Hunter Horse of the Imperial Guard Charging (1812) and Race of Free Horses in Rome (1819). [2] This work is a rare and valuable example of painting dated from his travel in England, when Géricault preferred to work in lithography. It was painted for the English horse dealer Adam Elmore.
As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]
At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
In 1927 he explained his work as follows:The secret of painting race-horses lies in quickness. Their movements are so alert, they are so full of nervous energy, that the artist has to have a hand like a streak of lightning to catch the pose while it lasts. [5] His paintings of race horses, nearly all on commission, are oil-on-canvas.
Edgar Degas, Before the Race, 1882–1884, oil on panel, The Walters Art Museum, Baltimore Eadweard Muybridge's Animal Locomotion features an animated sequence of a race horse galloping, using photos published in 1887. Thoroughbred racing was an inspiration for Romantic and Impressionist artists of the 19th century.
The oil painting held at the Art Institute of Chicago is the most widely known version of the work and was created in 1866. While there had been debate about its creation date due to the smudging of the inscription on the work (read variously as 1865 or 1867), [ 3 ] a microscopic examination of the work indicated that the date is 1866. [ 8 ]
Whistlejacket is an oil-on-canvas painting from about 1762 by the British artist George Stubbs showing the Marquess of Rockingham's racehorse approximately at life-size, rearing up against a plain background. The canvas is large, lacks any other content except some discreet shadows, and Stubbs has paid precise attention to the details of the ...
Little was known of Troye's work in the eastern United States until 1912. Since then, more than 300 of his paintings have been found, of which three-fourths have been photographed since 1912. In addition, he is the author of The Race Horses of America (1867). [2] Troye is buried in Georgetown Cemetery with his wife and grandson, Clarence D ...
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