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Horse racing became a popular pastime in 19th century France under Louis-Philippe and Napoleon III. Degas began admiring horses while visiting friends in Normandy. Over the course of his career it is reported that he created 45 oils, 20 pastels, 250 drawings, and 17 sculptures related to horses. Degas was eager to know horses in anatomical ...
At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
Other paintings of horses by Géricault include Officer Hunter Horse of the Imperial Guard Charging (1812) and Race of Free Horses in Rome (1819). [2] This work is a rare and valuable example of painting dated from his travel in England, when Géricault preferred to work in lithography. It was painted for the English horse dealer Adam Elmore.
Edgar Degas, Before the Race, 1882–1884, oil on panel, The Walters Art Museum, Baltimore Eadweard Muybridge's Animal Locomotion features an animated sequence of a race horse galloping, using photos published in 1887. Thoroughbred racing was an inspiration for Romantic and Impressionist artists of the 19th century.
Like many of Stubbs's other paintings of horses and other animals in the wild, including several versions of a horse attacked by a lion perched on its back, the painting is an early intimation of Romanticism, as well as a challenge to the lowly place animal painting occupied in the hierarchy of genres. [8]
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
The oil painting held at the Art Institute of Chicago is the most widely known version of the work and was created in 1866. While there had been debate about its creation date due to the smudging of the inscription on the work (read variously as 1865 or 1867), [ 3 ] a microscopic examination of the work indicated that the date is 1866. [ 8 ]
In 1927 he explained his work as follows:The secret of painting race-horses lies in quickness. Their movements are so alert, they are so full of nervous energy, that the artist has to have a hand like a streak of lightning to catch the pose while it lasts. [5] His paintings of race horses, nearly all on commission, are oil-on-canvas.
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