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The neck of the cello is positioned above the player's left shoulder, while the C-String tuning peg is positioned just behind the left ear. The bow is drawn horizontally across the strings. In early times, female cellists sometimes played side-saddle, since it was considered improper for a lady to part her knees in public. [ 2 ]
The bow is repeatedly tapped against the string per stroke, just like how a dribbled basketball repeatedly touches the ground. [5] The resulting sound can be rather loud, brash, and hard, as this technique requires one to strike the string. With that said, this technique can be played softly to play a more pointed spiccato. [5]
The name cello is derived from the ending of the Italian violoncello, [2] which means "little violone". Violone ("big viola") was a large-sized member of viol (viola da gamba) family or the violin (viola da braccio) family.
Pages in category "String performance techniques" The following 26 pages are in this category, out of 26 total. ... Cello technique; Chop chord; Col legno; D. Double ...
The cello in Paul Hindemith’s 2nd string quartet tunes their C string down to B♭ during part of the 3rd movement. The cello soloist's final note of Andrew Lloyd Webber 's Variations requires the player to play and retune in one movement, creating a dramatic glissando effect to the A below the cello's normal lowest note of C.
When playing in the instrument's upper range (above G 3, the G below middle C), the player shifts the hand from behind the neck and flattens it out, using the side of the thumb to press down the string. This technique—also used on the cello—is called thumb position. While playing in thumb position, few players use the fourth (little) finger ...
String instruments are capable of producing a variety of extended technique sounds. These alternative playing techniques have been used extensively since the 20th century. Particularly famous examples of string instrument extended technique can be found in the music of Krzysztof Penderecki (particularly his Threnody to the Victims of Hiroshima), Witold Lutosławski, George Crumb, and Helmut ...
Possible string technique and notation demonstrated on a bit of "Twinkle, Twinkle, Little Star", played on a cello. Note the string change to A avoided through shifting and the string change to the G string: the A could have been played open like the D and the entire line could have been in 1st position. Although the technique must have been ...
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