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The name Phoenician is by convention given to inscriptions beginning around 1050 BC, because Phoenician, Hebrew, and other Canaanite dialects were largely indistinguishable before that time. [27] [47] The so-called Ahiram epitaph, engraved on the sarcophagus of King Ahiram from about 1000 BC, shows a fully developed Phoenician script. [48] [49 ...
The title refers to the Greek chorus, which is composed of Phoenician women on their way to Delphi who are trapped in Thebes by the war. Unlike some of Euripides' other plays, the chorus does not play a significant role in the plot, but represents the innocent and neutral people who very often are found in the middle of war situations.
Phoenician kings did not commemorate their reign through sculptures or monuments. Their wealth, power, and accomplishments were usually conveyed through ornate sarcophagi, like that of Ahiram of Byblos. The Phoenicians kept records of their rulers in tomb inscriptions, which are among the few primary sources still available.
The Ship Sarcophagus: a Phoenician ship carved on a sarcophagus, 2nd century AD. The theory of Phoenician discovery of the Americas suggests that the earliest Old World contact with the Americas was not with Columbus or Norse settlers, but with the Phoenicians (or, alternatively, other Semitic peoples) in the first millennium BC. [1]
The Treaty of Lutatius was the agreement between Carthage and Rome of 241 BC (amended in 237 BC), that ended the First Punic War after 23 years of conflict. Most of the fighting during the war took place on, or in the waters around, the island of Sicily and in 241 BC a Carthaginian fleet was defeated by a Roman fleet commanded by Gaius Lutatius Catulus while attempting to lift the blockade of ...
Alexander besieged Tyre in retaliation in early 332 BC. After seven months of resistance, the city fell, and its people were sold into slavery (See Siege of Tyre (332 BC)). Despite his early death in 323 BC, Alexander's conquest of the eastern Mediterranean Basin left a Greek imprint on the area. The Phoenicians, being a cosmopolitan people ...
Angela Carter first did this in 1979 with The Bloody Chamber, a powerfully savage collection that morphs delicate Beauty into a beastly tigress. Rather than merely mocking the conventions upheld by sedate, waif-like princesses, she kept the appealing structures of popular fairy tales in place, filling them in with uncensored human subjects.
Phoenician kings did not commemorate their reign through sculptures or monuments. Their wealth, power, and accomplishments were usually conveyed through ornate sarcophagi, like that of Ahiram of Byblos. The Phoenicians kept records of their rulers in tomb inscriptions, which are among the few primary sources still available.