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Highest-grossing films of 2000 Rank Title Distributor Domestic gross 1 How the Grinch Stole Christmas: Universal Pictures: $260,745,620 2 Cast Away: Twentieth Century Fox: $233,632,142 3 Mission: Impossible II: Paramount Pictures: $215,409,889 4 Gladiator: DreamWorks Distribution: $187,705,427 5 What Women Want: Paramount Pictures: $182,811,707 ...
From animated films and comedies to dramas and horror movies, here are 100 of the best, must-watch movies from the 2000s according to critics.
[3] [4] 3: January 23, 2000: $8,009,943 [5] 4: January 30, 2000: Eye of the Beholder: $5,959,447 [6] 5: February 6, 2000: Scream 3: $34,713,342: Scream 3 broke The Empire Strikes Back (Special Edition)'s record ($22 million) for the highest weekend debut in February and Scream 2 ' s record ($32.9 million) for highest weekend debut for a horror ...
The 2000s saw the resurgence of several genres. Fantasy film franchises dominated the box office with The Lord of the Rings, Harry Potter, Pirates of the Caribbean, the Star Wars prequel trilogy (beginning in 1999), The Chronicles of Narnia, etc. Comic book superhero films became a blockbuster subgenre following the releases of X-Men, Unbreakable, and Spider-Man; culminating in the ...
Here are Yahoo Entertaiment's picks for the best holiday movies of the 2000s, including Elf, Love Actually and The Holiday. (Photo illustration: Maayan Pearl/Yahoo News; photos: Getty Images ...
Big-budget studio movies like 'A.I. Artificial Intelligence' and 'The Dark Knight' didn't even crack the top 10.
2000s monster movies (226 P) 2000s multilingual films (10 C) 2000s musical films (15 C, 2 P) 2000s mystery films (5 C, 82 P) P. 2000s political films (6 C, 29 P)
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...
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