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A puzzle canon, riddle canon, or enigma canon is a canon in which only one voice is notated and the rules for determining the remaining parts and the time intervals of their entrances must be guessed. [44] "The enigmatical character of a [puzzle] canon does not consist of any special way of composing it, but only of the method of writing it ...
In the 20th century, one such canon is the Cantus in Memoriam Benjamin Britten by Arvo Pärt (1976). [1] Additionally, Larry Polansky has written numerous four-voice prolation canons whose melodies are permutations of a limited number of elements, and Mark Alburger , in Immortality from San Rafael News , directly maps a new melody into the ...
"Up and Down This World Goes Round", three voice round by Matthew Locke. [1] Play ⓘ. A round (also called a perpetual canon [canon perpetuus], round about or infinite canon) is a musical composition, a limited type of canon, in which multiple voices sing exactly the same melody, but with each voice beginning at different times so that different parts of the melody coincide in the different ...
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
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In the score, only one voice was written out for each canon, with the mensuration marks (approximately equivalent to a modern time signature) given alongside, so the singers would understand that they are to sing in those proportions, and thus at different speeds; in addition, the intervals between the voices are given in the score by the ...
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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...