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All ballads are archived in Facsimile Transcriptions, in which the original blocks of text from the Ballad Facsimile have been replaced with blocks of text from the modern transcription, resulting in an image that preserves the visual experience of the original ballad, including woodcut impression illustrations, yet is easily readable by a ...
The Earl of Huntington lives beyond his means and becomes indebted to an abbot. Outlawed, the Earl takes the name Robin Hood. He and his band live by robbing and are cruel to the clergy, kind to the poor. The tale recounts many of the adventures covered in other ballads. 155: Sir Hugh, or, The Jew's Daughter
If the experiment with vernacular language was not enough of a departure from the norm, the focus on simple, uneducated country people as the subject of poetry was a signal shift to modern literature. One of the main themes of "Lyrical Ballads" is the return to the original state of nature, in which people led a purer and more innocent existence.
Lyrical Ballads 1800 The Two Thieves; or, The Last Stage of Avarice 1798 "O now that the genius of Bewick were mine," Poems referring to the Period of Old Age. 1800 A Character 1800 "I marvel how Nature could ever find space" Poems of Sentiment and Reflection. 1800 For the Spot where the Hermitage stood on St. Herbert's Island, Derwentwater 1800
Printers used a single piece of paper known as a broadside, hence the name broadside ballads. [3] It was common for ballads to have crude woodcuts at the top of a broadside. [3] Historians Fumerton and Gerrini show just how popular broadsides had been in early modern England: the ballads printed numbered in the millions. [4]
George Malcolm Laws (January 4, 1919 – August 1, 1994) was a scholar of traditional British and American folk song. [1] [2]He was best known for his collection of traditional ballads "American Balladry from British Broadsides", published in 1957 by the American Folklore Society.
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...
Maria Wiik, Ballad (1898) A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.