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He concedes that mods and rockers had some fights in the mid-1960s, but argues that they were no different from the evening brawls that occurred between youths throughout the 1950s and early 1960s at seaside resorts and after football games. He argues that the UK media turned the mod subculture into a symbol of delinquent and deviant status. [10]
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [5] in which he examined media coverage of the mod and rocker riots in the 1960s. [6] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
The name "rocker" came not from music, but from the rockers found in 4-stroke engines, as opposed to the two stroke engines used by scooters and ridden by mods. [ citation needed ] During the 1950s, [ 9 ] they were known as "ton-up boys" because doing a ton is English slang for driving at a speed of 100 mph (160 km/h) or over.
Folk Devils and Moral Panics: The Creation of the Mods and Rockers is a 1972 sociology book by Stanley Cohen. [ 1 ] [ 2 ] [ 3 ] It was the first book to define the social theory of moral panic . [ 4 ] [ 5 ] [ 6 ]
Peter Alexander Edwin Meaden (11 November 1941 – 29 July 1978) was an English publicist for various musicians and the first manager for the Who.He was a prominent figure in the English Mod subculture of the early 1960s.
Sting played Jimmy's friend and fellow mod, the Ace Face. [219] The soundtrack was Jones' first appearance on a Who record, performing on newly written material not on the original album. [220] The film was a critical and box office success in the UK [221] and appealed to the growing mod revival movement.
Mods were obsessed with new fashions such as slim-cut suits; and music styles such as modern jazz, rhythm and blues, soul, ska, and some beat music. Many of them rode scooters. The mod and rude boy cultures both influenced the skinhead subculture of the late 1960s. The skinheads were a harder, more working class version of mods who wore basic ...
The Rocker subculture would not see a resurgence for almost a decade, but the 59 Club was carried on by original members. By the late 1980s, a Rockers revival was underway and a number of enthusiasts started a 'Classic Section' within the club. This subgroup was dedicated to upholding the 1960s Rockers subculture (the style, music, and ...