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Homeric simile, also called an epic simile, is a detailed comparison in the form of a simile that are many lines in length. The word "Homeric", is based on the Greek author, Homer, who composed the two famous Greek epics, the Iliad and the Odyssey. Many authors continue to use this type of simile in their writings although it is usually found ...
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
Odysseus (Ὀδυσσεύς), another warrior-king, famed for his cunning, who is the main character of another (roughly equally ancient) epic, the Odyssey. Patroclus (Πάτροκλος), beloved companion of Achilles. Phoenix (Φοῖνιξ), an old Achaean warrior, greatly trusted by Achilles, who acts as mediator between Achilles and Agamemnon.
Polyphemus (/ ˌ p ɒ l i ˈ f iː m ə s /; Ancient Greek: Πολύφημος, romanized: Polyphēmos, Epic Greek: [polypʰɛːmos]; Latin: Polyphēmus [pɔlʏˈpʰeːmʊs]) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's Odyssey.
The poet's intention to recall the Homeric character remains evident in certain passages. "I am become a name" (11) recalls an episode in the Odyssey in which Demodocus sings about Odysseus' adventures in the king's presence, acknowledging his fame. With phrases such as "There gloom the dark broad seas" (45) and "The deep / Moans round with ...
An aristeia or aristia (/ ˌ ær ɪ ˈ s t iː ə /; Ancient Greek: ἀριστεία [aristěːaː], "excellence") is a scene in the dramatic conventions of epic poetry as in the Iliad, where a hero in battle has his finest moments (aristos = "best").
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This final example was a line from the Alexandreis, a 12th-century Latin epic poem by Walter of Châtillon. [5] The myth was later given an allegorical interpretation by the French poet Barthélemy Aneau in his emblem book Picta Poesis (1552). There one is advised, much in the spirit of the commentary of Erasmus, that the risk of being envied ...