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John E. Ferneley (18 May 1782 Thrussington, Leicestershire – 1860 Melton Mowbray, Leicestershire), was an English painter who specialised in portraying sporting horses and hunting scenes. Although his rendition of horses was stylised, he is regarded as one of the great British equine artists, second perhaps only to George Stubbs .
Other paintings of horses by Géricault include Officer Hunter Horse of the Imperial Guard Charging (1812) and Race of Free Horses in Rome (1819). [2] This work is a rare and valuable example of painting dated from his travel in England, when Géricault preferred to work in lithography. It was painted for the English horse dealer Adam Elmore.
More Free Than Welcome, by John Charlton, RBA, RI, ROI. Born to Samuel Charlton and his wife Mary Ann (née Pickering) Charlton on 28 June 1849, in Bamburgh, Northumberland, he received his first lessons in drawing from his father when he was only three or four years old, and within a few years was drawing horses with some skill.
Later he and Richards traveled to the Holy Land where he painted horses, Damascus, Syria cattle, the Dead Sea and the bazaar of Damascus while Richards bought Arabian horses. Bethany College, West Virginia, retains copies of some of these paintings. [2] In 1869, Troye moved his family to a 700-acre (2.8 km 2) cotton plantation in Madison County ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
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The publication "Racehorses in Australia with paintings by Martin Stainforth" is an important standard reference work in Australian Thoroughbred literature. First published in 1922 with many tipped in plates, a facsimile reprint was issued in 1983 but without any tipping in. Good copies of the original with dust jackets are hard to find.
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