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4, 3, 2, 1 (LL Cool J song) " 4, 3, 2, 1 " is a song by Queens rapper LL Cool J featuring Method Man & Redman, Canibus and DMX from LL Cool J's seventh album Phenomenon as the second single. It was released on December 9, 1997, for Def Jam Recordings and was produced by Erick Sermon. The single featured an extended version not featured on the ...
Someone to Call My Lover. " Someone to Call My Lover " is a song by American singer-songwriter Janet Jackson from her seventh studio album, All for You (2001). Written and produced by Jackson and Jimmy Jam and Terry Lewis, the song was released as the album's second single on June 12, 2001, by Virgin Records. Using a guitar riff from America's ...
Jackson's vocals range between G 3 to C 5. The song has a moderate tempo of 96 beats per minute. [ 12 ] For "Got 'til It's Gone", Jackson opted for a less polished sound, the song itself is a blend of various genres such as R&B , [ 13 ] pop , [ 14 ] and hip hop ; [ 15 ] it also has influences of reggae . [ 16 ]
Janet Jackson, Rolling Stone, 1993 After writing songs with themes of independence for Control and social injustice for Rhythm Nation 1814, Jackson desired to devote her new album to love and relationships, describing the theme of her new album as "intimacy" and that "[s]exual communication is the name of the game." She stated in an interview with David Wild for Rolling Stone that "[w]hile I ...
llcoolj.com. Musical artist. James Todd Smith (born January 14, 1968), known professionally as LL Cool J (short for L adies L ove Cool J ames), [3] is an American rapper and actor. [4] He is one of the earliest rappers to achieve commercial success, alongside fellow new school hip hop acts Beastie Boys and Run-DMC.
Janet Jackson is the debut studio album by American singer Janet Jackson, released in September 1982 by A&M Records. Janet Jackson is described as a dance and contemporary R&B record. [ 4 ] [ 5 ] Songwriters Angela Winbush and René Moore contributed to much of the album's lyrics.
Richard J. Ripani, The New Blue Music, 2006 Control is widely considered to be the breakthrough in Jackson's career, establishing her independence and dominance in the realm of popular music. In The Sex Revolts: Gender, Rebellion, and Rock'n'roll (1996) author Simon Reynolds wrote that "Janet Jackson became a superstar with the immaculately designed soft-core feminism of Control." Jet magazine ...
See media help. "Doesn't Really Matter" is an electropop, [7] R&B, [5][8] and dance song. [9] Although making using of funk production, common in R&B music at the time of its 2000 release, the track was viewed as an R&B-pop take on lounge music. [8] Its upbeat pop sound is akin to Jackson's 1995 single "Runaway", a stark contrast to the sparse ...