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A rook skull The rook is a very social bird; in the evenings they gather in large flocks, often in thousands. Rooks are highly gregarious birds and are generally seen in flocks of various sizes. Males and females pair-bond for life and pairs stay together within flocks.
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[1] [2] [10] Much of what is known about Huichol designs and symbols was put together by Norwegian explorer and ethnographer Carl Lumholtz in the late 19th century, but Huichol art and decoration has since become more varied. [1] [5] However, plant and animal motifs remain the most common and most retain their original meaning. [5]
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
English: Diagram of the skull roof of Xenotosuchus africanus. Based on figure 3 of "A giant skull of the temnospondyl Xenotosuchus africanus from the Middle Triassic of South Africa and its ontogenetic implications" by Ross Damiani (Acta Palaeontologica Polonica 53 (1): 75–84).
Skull in situ Human head skull from side Anatomy of a flat bone – the periosteum of the neurocranium is known as the pericranium Human skull from the front Side bones of skull. The human skull is the bone structure that forms the head in the human skeleton. It supports the structures of the face and forms a cavity for the brain. Like the ...
The holotype skull of Andrewsarchus has a total length of 83.4 cm (2.74 ft), and is 56 cm (1.84 ft) wide at the zygomatic arches. The snout is greatly elongated, measuring one-and-a-half times the length of the basicranium , [ 1 ] and the portion of the snout in front of the canines resembles that of entelodonts. [ 2 ]
Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.