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In this case, both compositions were meant to be used as educational tools for Stravinsky's children. Here, the primo voice is much easier than the secondo, contrary to Three Easy Pieces, in which the secondo was the easy part. [3] For this composition, Stravinsky was inspired by the styles of different regions, cultures, and cultural movements.
Musopen, under the URL musopen.org, is a 501(c)(3) non-profit organization which prioritizes "improving access and exposure to music by creating free resources and educational materials". [M 1] The website creates, produces and disseminates public domain music via recordings, sheet music and educational resources concerning Western classical music.
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
This article lists compositions written for piano duo. The list includes works for piano four-hands and works for two pianos. Catalogue number and date of composition are also included. Ordering is by composer surname. A list of notable performers who played and recorded these works is at List of classical piano duos (performers).
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Piano Concerto (Grieg) Piano Concerto (Paderewski) Piano Concerto (Schumann) Piano Concerto (Somervell) Piano Concerto No. 1 (Kabalevsky) Piano Concerto No. 2 (Hummel) Piano Quartet (Mahler) Piano Quintet (Elgar) Piano Quintet (Enescu) Piano Quintet (Saint-Saëns) Piano Quintet No. 1 (Farrenc) Piano Sonata in A minor, D 537 (Schubert)
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
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3579 S High St, Columbus, OH · Directions · (614) 409-0683