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(Hamlet's dying request to Horatio)... The rest is silence. (Hamlet's last words) Now cracks a noble heart. Good night, sweet prince, And flights of angels sing thee to thy rest....so shall you hear Of carnal, bloody, and unnatural acts, Of accidental judgments, casual slaughters,
The term was popularized from Shakespeare's Hamlet (1599-1601). [11]The earliest ancestor of "willy-nilly" is the Old English, "sam we willan sam we nyllan" ('whether we wish to or wish not to'), found in King Ælfred's translation of De Consolatione Philosophiæ in 888 AD. [12]
The disintegration of values, morals, and order is a theme discussed at length in "Hamlet". The colloquial tone of the Gravediggers brings this philosophy into the focus of the audience's world. The synthesis of all perspectives used ends in a greater comprehension of the play as a whole. [2] Because Hamlet was written in the midst of England's ...
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
One example is Luca Damiano's Hamlet: For the Love of Ophelia Parts 1 and 2 (1996). [14] [15] The 2006 Chinese film The Banquet (also known as Legend of the Black Scorpion) has a storyline loosely based on the story of Hamlet. [16] In the Star Wars film The Empire Strikes Back, Chewbacca tries to reassemble the body of the robot C-3PO. At one ...
Brazy "Brazy" is another word for "crazy," replacing the "c" with a "b." It can also be used to describe someone with great skill or who has accomplished something seemingly impossible.
A classic example of such usage was that by the Lord Chancellor at the time (1864), Lord Westbury, in the English case of ex parte Gorely, [6] when he described a phrase in an Act as "redundant and pleonastic". This type of usage may be favored in certain contexts.
For example, in William Shakespeare's Romeo and Juliet, the drama of Act V comes from the fact that the audience knows Juliet is alive, but Romeo thinks she's dead. If the audience had thought, like Romeo, that she was dead, the scene would not have had anywhere near the same power.